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American Players Theatre
5950 Golf Course Road
P.O. Box 819
Spring Green, WI 53588
(Map)

Box Office: 608-588-2361
Administration: 608-588-7401
Fax: 608-588-7085

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Anna in the Tropics

Anna in the Tropics

By Nilo Cruz

Directed by Robert Ramirez

Hill Theatre

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The Poetry of Yearning

Get swept away on the tobacco-sweet breeze of this lush and poetic romance, as family ties smolder beneath a Florida sun. An alluring new lector has arrived in their midst like a match in a powder keg, carrying with him the long-held Cuban tradition of reading aloud as the workers roll cigars. They burn through their work days rapt in his reading of Anna Karenina. But not everyone is a fan of the tradition or the man. As desires ignite and loyalties are tested, each lyrical passage pulls them closer to a reckoning between the past and the future. A pulse-racing, Pulitzer-winning epic, offering a limited number of performances, perfectly accompanied by the sultry summer breeze. Runs August 1 - September 26.

Featuring: Phoebe González, Elizabeth Ledo, Melisa Pereyra, Ronald Román-Meléndez, Triney Sandoval

Synopsis

In the heat of Florida, a Cuban-American family spends long days rolling cigars for a factory. They carried with them many traditions from Cuba, including employing a lector to read to them as they work. But with automation on the rise, money is tight, and there are differing opinions on whether that tradition should continue. Still, matriarch Ofelia hires a new lector, Juan Julián – a charismatic young man who captures the attention her daughters, Marela and Conchita. Juan Julián begins his reading sessions with Anna Karenina. As the book’s story unfolds, the family’s lives run parallel, bringing secrets and lies to the forefront and threatening their livelihood and relationships.

Contains adult themes. Contact the Box Office at 608-588-2361 for more information.

Cast

Santiago, owner of a cigar factory
Triney Sandoval *
Cheché, his half-brother, half-Cuban, half-American
Sam Luis Massaro *
Ofelia, Santiago's wife
Elizabeth Ledo *
Marela, Ofelia and Santiago's daughter
Phoebe González *
Conchita, her sister
Melisa Pereyra *
Palomo, her husband
Yona Moises Olivares
Juan Julian, the lector
Ronald Román-Meléndez *
Eliades, local gamester, runs cockfights
Jose Cervantes

Staff

Director
Robert Ramirez
Voice & Text Coach
Elisa Gonzales
Assistant Director & Movement and Intimacy Director
Marilet Martinez
Dramaturg
Ryan M. Prendergast
Costume Design
Raquel Adorno †
Scenic Design
Josafath Reynoso †
Lighting Design
Jason Lynch †
Associate Lighting Designer
Maaz Ahmed
Music Composition & Sound Design
Willow James †
Assistant Costume Design
Kate Lopez
Stage Management Assistant
Nora Murphy
Assistant Stage Manager
Krista Kanderski *
Stage Manager
Ryan Barrett *
* Member of Actors' Equity Association, the Union of Professional Actors and Stage Managers
** Member of Society of Stage Directors and Choreographers, an Independent Labor Union
† Member of United Scenic Artists

Season Select: Anna in the Tropics
By Erin Milleville

In Anna in the Tropics, Nilo Cruz has graced us with a beautiful play that is at once modern and present, as well as timeless and a part of the eternal. That is what makes a “classic.” Like the works of Shakespeare, his language is rich and poetic, lyrical and urgent, and ultimately bears a message for us all, regardless of its time and setting. As a director, and a lover of language and poetry, I could not hope for a better script to work on. Ironically, I also believe that summertime in the expanse and romance of the woods at APT is the perfect setting for this play set in the tropics of Florida.

Set in 1929, the play takes place in the midst of a massive amount of change for our country: the end of the roaring twenties, the stock market crash and impending economic depression, an outbreak of influenza, and growing questions around mechanical modernization and the value of the core of the nuclear family. Amidst all this, in the microcosm of a Cuban-American cigar factory in Ybor City, the reading of the classic Russian novel Anna Karenina serves as a crucible for inner transformation. More specifically, the reading of the book out loud is a catalyst for the release of long-suppressed desire, frustration and even rage. Suspicions, secrets and longings are released in a family that is struggling to maintain its balance, as well as its relevance, in a quickly evolving world. Again, APT is the perfect setting for a story about the incredible power of the spoken word.

One of the most beautiful moments of the day in any tropical climate near the ocean is sunset. The blazing sky ranging from yellow to orange to pink, and deep, fiery red, the deepening of the water from pale green and bright blue to a fathomless, bottomless, darkness and the breeze rustling through the palm trees and hibiscus flowers, are all accented and heightened by the sound of the lapping of water and the crashing of waves. Every human emotion is found in those colors and sounds. Just like this play. I encourage you to listen to this play closely, to move deeper beyond the visual spectacle and hone in on its warnings, its messages, and finally, its gifts.

-Robert Ramirez, Director of Anna in the Tropics

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