Two men, many questions

Jonathan Shipley, Isthmus

We live in a divisive time. On the drive from Madison to Spring Green to watch the masterful, thought-provoking play Nat Turner in Jerusalem, at American Players Theatre, we passed property after property displaying political affiliations: a Trump flag on that acre, a Harris poster outside that house, a cavalcade of signs highlighting our nation’s divide.

The play, written by Nathan Alan Davis and first staged in 2016, runs in the indoor Touchstone Theatre through Nov. 10.

Directed by Chicago-based Tyrone Phillips with set design by Nathan Stuber, the play is staged simply — one set, two actors. But the 90-minute production asks complex questions about America’s long-running divide, and its soul, offering no clear answers. It asks viewers to wrestle with their thoughts on faith and justice, freedom and truth. It asks the audience members to address their collective history by holding up a mirror to the present. Nothing is as simple as black and white.

The play is an historical account of Nat Turner, the enslaved carpenter, preacher, and self-proclaimed prophet who led a rebellion in 1831, three decades before the Civil War. The action resulted in the deaths of around 60 white men, women and children. The rebellion was swiftly suppressed and days later Turner was captured. He went to trial soon after and judged guilty by a white jury. He was executed a few months later. But before his death he told his story to lawyer Thomas Gray, who would publish The Confessions of Nat Turner soon after Turner hung from the gallows.

The action of the play takes place in a holding room in Jerusalem, Virginia, the night before and the morning of Turner’s execution.

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